Selected Recent Presentations and Publications
STEAL AWAY HOME: THE SPIRITUALS AS VOICE
OF HOPE
ABSTRACT for Festival
500 International Symposium VII , to be presented
in July 2009, in St. John's, NL
In melodies of simple yet profound beauty, in
lyrics of vivid images, and in rhythms drawn from their homeland, the songs
that came to be known as spirituals give voice to the suffering and hope
of an enslaved people. This music expresses a suffering of body, mind, and
spirit, a protest against injustice, a hope for freedom, and a conviction
of worth despite all affliction. At the same time, it embodies the beauty
of the human soul beneath and beyond all cruelty. Often sung in secret gatherings,
the spirituals enabled those enslaved to express an interior soul space that
the harshness of slave owners and slave drivers could not reach. These songs
ultimately became a source of inspiration and courage as that inner spirit
of freedom became outwardly realized in the movement known as the Underground
Railroad..
This paper will explore themes
of word, melody, and rhythm within the spirituals as they bear witness then
and now to the capacity of music to express and sustain the depth, beauty,
and power of the human spirit. If we listen carefully, we may hear in the
spirituals a voice of universal significance; a voice that reaches beyond
all culture, race, gender–beyond all differences–to the core of our shared
humanity.
THE TAIZE EXPERIENCE –A PATHWAY
TO PEACE
This workshop follows the model of the Taizé ecumenical community
in southern France.
You are invited to enter into this experience,
to allow it to lead you gently into your own centre as a sacred place
where your worth is affirmed,
and where you are connected with others,
and with the silent Mystery.
Saturday, November 15, 2008
9:00 a.m. – 3:00 p.m.
|
Workshop Program
8:30 – 9:00 a.m.
•Coffee/Muffins, and Mingling
9:00 – 11:30 a.m. •“Brother
Roger and the Story of Taizé.”
–Exploring Taizé style prayer
11:30 – 12:30 p.m. •Lunch
12:30 – 2:00 p.m. •“The
Music of Taizé.”
–Exploring music as meditation and
prayer in community
2:00 – 3:00 p.m.
•“A Taizé Prayer.
|
MUSIC,
THE VOICE OF MEMORY: AN EXPLORATORY PERSPECTIVE
... presented at Festival 500,
symposium held at St. John's, Newfoundland, July 2007,©2007
ABSTRACT
The word Amemory@ comes from Amind@ and suggests that what is directly experienced
remains in our awareness. Even though no longer physically present, experiences
may be called to mind or remembered. The word Avoice@ or Avocal@ comes from Avox@or Avocare,@ meaning to call, with its cognates Aevoke,@ to call forth, and Arecall,@to call back. The notion of memory, therefore,
may be linked to the voice both calling back and, in a sense, calling forward
various experiences of one's life. To remember is to call back a voice from
one's past, to hear it again in its same form or to give it new voice. Through music, perhaps especially vocal music, we
are drawn to return or called back to a place, a time, a person, and with
the thoughts, feelings, and associations of that experience that remain with
us still.
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This paper is an attempt to explore
the connection of vocal music with memory. Essential elements of this exploration
include: the roots or etymologies of words connected with memory and voice,
the various dimensions and meanings of memory at the level of thought, feeling,
presence, and identity; the inseparably relational dimension of memory; and
its flowing not only from the past into the present but also reaching into
the future; and the connection of all of these with vocal music. Music may
be a link to our human quest to find and express our authentic voice, within
a greater relational, communal, and social context.
< style="font-weight: bold;">Photos taken at Newfoundland
Great War Memorial, Beaumont Hamel, France, Augus,t 2007
©NK
& JR, 2007
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"... At the site of the Battle of the
Somme in Northern France, a young guide, herself a Newfoundlander, explained
how an incredible percentage of the young male population of that island
lost their lives there. As she concluded, she quietly and emotionally sang
the strains of the Ode to Newfoundland, a single voice paying hommage
to the great sacrifice of these men. She could find no other way to remember
and honour them. ..." (from the
paper)
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Photos taken at Canadian War Memorial, Vimy Ridge,
France
©NK & JR, 2007
"
.... On April 9, 2007, the 90th anniversary of the World War I battle of
Vimy Ridge was remembered. During the ceremony, a young violinist stood alone
beside the imposing statue of “Mother Canada,”a woman grieving for her lost
children. She played a gentle, haunting native melody that moved all who
heard it. For a moment at least, this music reached beneath and beyond age,
race, gender, and background, and evoked a collective memory and a common
feeling of being Canadian. ..." (from the
paper)
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SPIRITUALITY AND VOCAL MUSIC: AN EXPLORATORY
PERSPECTIVE
... presented
at Festival 500, symposium held at St. John's, Newfoundland, July 2005
©2005
Sunset at Heart's Delight, Newfoundland
(© 2005, Dale Ripley)
Abstract
One of the developments in the contemporary era
is the differentiation of spirituality from religion. A person's
spirituality may be understood as the basic guiding vision
of one’s life. It comprises the vision, values, and support
system to which a person turns to discover or create meaning in
his or her life. The quest for meaning designates essentially the quest
for identity and worth, for belonging and purpose. A large number of
people today are engaged in a search for meaning that neither organized religion
nor secular culture seem to address satisfactorily.
A part of this quest is to find and express one’s authentic voice, yet to
hear that voice within a greater context. An essential dimension of this
quest, especially in today’s society, is the experience of beauty. Vocal
music is one such expression. This paper is an attempt to relate vocal music
(in aspects of both technique and artistry, and impact on performer and hearer),
to a contemporary understanding of spirituality, and more specifically a
spirituality of voice. Essential elements in this exploration include: the
sacredness of the person behind yet contained in the outer expression; the
harmony of inner and outer voice; the canvas of silence upon which
all music is written; personal voice within the voice of community and tradition.
In essence, vocal music may be experienced as a window to and from the sacred
core of life; what T. S. Eliot calls the still point of the turning world.
THE SPIRITUALITY OF THE MUSIC OF THE UNDERGROUND RAILROAD
... Presented
at The John Brown Seminar sponsored by the Chatham-Kent Black Historical
Society, May 2005
©2005
... CONCLUDING COMMENTS ...
... In sum, the horror of enslavement, which took a terrible toll on so many
human beings, drove many of them further and further inward, to a place of
depth, a place of wisdom, beauty, and compassion, that no cruelty or hatred
could reach. From this place came an authentic voice, a voice of the spirit
of this people, of the human spirit, and of the spirit of the universe. This
voice found expression in story and song.
And so today, we celebrate the journey to freedom in mind and heart,
in action and life, in story and song.
We celebrate this journey of the human spirit.
This spirit resonates with a depth and clarity
in the folk tales, and in the words and music associated with the underground
railroad:
In the words forged in the crucible of suffering,
honed in the struggle for survival and meaning,
and sung from the heart of enduring hope,
is echoed the spirit of the black community,
the spirit of the human community,
and the spirit of the universe itself.
It is heard as the journey of the spirit
that strives to soar beyond all that enslaves and holds captive
into the limitless space of a freedom
whose wings are compassion and justice.
To conclude this day, let us sing together the freedom song, the national
anthem, Lift Every Voice and Sing.
This anthem invites us to life all our voices,
and sing with the harmonies of true freedom,
a freedom that blends the memory of past pain,
and of those whose tears have watered the soil of our present efforts,
and challenge us to march into the future with a hope that does not falter.
TENDING THE HEART ... TOWARD FORGIVENESS, HEALING, AND WHOLENESS
... presented at Glen Abbey
United Church, Oakville, Ontario, April 2005
©2005
Some
Reflections on Healing and Wholeness
•Basic Perspective: There is a fundamental worth, value, or sacredness and
beauty to each human person. The basic challenge of life is to feel, honour,
and cherish that worth in ourselves and others, especially in the face of
the hurts, wounds, and betrayals of life.
•We discover this worth in music, meditation, and intimate conversation;
in solitude, friendship, and the compassionate struggle for social justice.
This worth may be felt as a gift that calls for a life-giving rather than
death-dealing response.
•We all have experiences of limitations, wounds, and betrayals:
–limitations of the human condition
–falling short of expectations and ideals
–hurt within, wounds at the hands of others or of life
–a sense of being untrue to our own inmost self, violating
others, and contributing to the injustice of society.
•A key to understanding and responding to these limitations, wounds, and
betrayals is to struggle towards a sense of our own worth as deeper
than all else.
•In the face of our own hurt, a part of the healing process is to acknowledge
the reality of this hurt, in the silence of our own heart or in the caring
presence of another.
•Forgiveness towards another does not mean a denial of the wrong done, nor
does it imply any contact with the violating person. It does mean that we
no longer allow that person’s script to rule our lives, nor allow ourselves
to be imprisoned by hatred or the need for revenge; but learn to be true
to our own inner self, within an interpersonal and social context.
•Forgiveness means an affirmation of a worth beyond and deeper than any
wrong or betrayal; a sacredness that is deeper than any brokenness.
"Balm in Gilead:" Words and Music of the Black Spirituals
...Presented
at the University of Windsor, School of Music, Wednesday Sessions, Winter
2004,
©2004
Behind the Music of the Underground Railroad:
Lecture and Concert
... Presented
at The John Brown Seminar sponsored by the Chatham-Kent Black Historical
Society, May 2004
©2004
The Music of Taize: Implications
for Music Teachers
... Presented at The Ontario Registered
Music Teachers Association, Chatham Branch, April 2004
©2004
Spirituality and Human Worth: An Exploratory
Perspective
... Presented
at Gebser Society Annual Meeting, Santa Fe, NM; published in Integral
Studies 2003
©2003
Abstract
One of the
developments in the contemporary era is the differentiation of spirituality
from religion. A person's spirituality may be understood as the basic guiding
vision of a person's life. It comprises the vision, values, and support system
to which a person turns to discover or create meaning in his or her life.
The quest for meaning designates essentially the quest for identity and worth,
for belonging and purpose. A large number of people today are engaged in
a search for meaning that neither organized religion nor the secularized
mythology of economic growth seems to address satisfactorily.
An attendant factor is the search
for a grounding of spirituality in some non-religious basis, which may at
the same time draw upon insights and images from religious and other sources.
One possible foundation may lie in the conviction of the worth, value, or
sacredness of the human person, and, indeed, of all life and being. This
notion is one that can be shared in theory by people of diverse backgrounds
and convictions, including those who adhere to a religious tradition. The
United Nations Declaration on Human Rights (1948), as well as the subsequent
UN International Convention on the Elimination of All Forms of Racial Discrimination
(1969) and UN Convention on the Rights of the Child (1989) all begin with
an affirmation of the inherent dignity of all human beings. This Human Rights
perspective is developed more philosophically by such authors as Charles
Taylor and Michael Ignatieff, is given an explicitly religious foundation
in Pacem in Terris by John XXIII, and is also exemplified in the Multiculturalism
Act and Policy of Canada.
An example of a spirituality of human
worth is found in the postwar writings of Viktor Frankl, who concluded from
his concentration camp experience that the dominant human drive is the quest
for meaning, which may be discovered even in the face of inescapable suffering.
More recently, authors such as Sam Keen and Wayne Muller draw upon a variety
of philosophical, psychological, and religious sources in order to fashion
a spirituality that gives identity and purpose to human existence. One helpful
image to illustrate this theme is that of the garden (echoing the image of
Eden), whose fruits and flowers give concrete expression to the necessities
and beauty of life, to its survival and meaning, and which offers an imaginative
context within which to raise questions of meaning, even in the face of suffering,
betrayal, and death.
What
is Spirituality click on this link
Other presentations and series include: the spirit and music of Taizé;
spirituality and our life story: key stages and experiences of life; towards
a relational spirituality; human meaning in folk tales, etc.
These topics have been offered as individual talks, lecture and workshop
series, adult education courses, and or university courses.
Other topics and publications list to be added shortly