Selected Recent Presentations and Publications


STEAL AWAY HOME: THE SPIRITUALS AS VOICE OF HOPE
 ABSTRACT for Festival 500 International Symposium VII , to be presented in July 2009, in St. John's, NL

In melodies of simple yet profound beauty, in lyrics of vivid images, and in rhythms drawn from their homeland, the songs that came to be known as spirituals give voice to the suffering and hope of an enslaved people. This music expresses a suffering of body, mind, and spirit, a protest against injustice, a hope for freedom, and a conviction of worth despite all affliction. At the same time, it embodies the beauty of the human soul beneath and beyond all cruelty. Often sung in secret gatherings, the spirituals enabled those enslaved to express an interior soul space that the harshness of slave owners and slave drivers could not reach. These songs ultimately became a source of inspiration and courage as that inner spirit of freedom became outwardly realized in the movement known as the Underground Railroad..
        This paper will explore themes of word, melody, and rhythm within the spirituals as they bear witness then and now to the capacity of music to express and sustain the depth, beauty, and power of the human spirit. If we listen carefully, we may hear in the spirituals a voice of universal significance; a voice that reaches beyond all culture, race, gender–beyond all differences–to the core of our shared humanity.  
  
    

         

THE TAIZE EXPERIENCE  –A PATHWAY TO PEACE

This workshop follows the model of the Taizé ecumenical community in southern France.
You are invited to enter into this experience,
to allow it to lead you gently into your own centre as a sacred place
where your worth is affirmed,
and where you are connected with others,
        and with the silent Mystery.    

Saturday, November 15, 2008
    9:00 a.m. – 3:00 p.m.

Workshop Program
 8:30  –   9:00 a.m.        •Coffee/Muffins, and Mingling
 9:00  – 11:30 a.m.        •“Brother Roger and the Story of Taizé.”
                                         –Exploring Taizé style prayer
11:30 – 12:30 p.m.        •Lunch
12:30 –   2:00 p.m.        •“The Music of Taizé.”
                                         –Exploring music as meditation and prayer in community
 2:00  –   3:00 p.m.        •“A Taizé Prayer.


MUSIC, THE VOICE OF MEMORY: AN EXPLORATORY PERSPECTIVE

... presented at Festival 500, symposium held at St. John's, Newfoundland, July 2007,©2007

ABSTRACT
The word
Amemory@ comes from Amind@ and suggests that what is directly experienced remains in our awareness. Even though no longer physically present, experiences may be called to mind or remembered. The word Avoice@ or Avocal@ comes from Avox@or Avocare,@ meaning to call, with its cognates Aevoke,@ to call forth, and Arecall,@to call back. The notion of memory, therefore, may be linked to the voice both calling back and, in a sense, calling forward various experiences of one's life. To remember is to call back a voice from one's past, to hear it again in its same form or to give it new voice.  Through music, perhaps especially vocal music, we are drawn to return or called back to a place, a time, a person, and with the thoughts, feelings, and associations of that experience that remain with us still.

<>This paper is an attempt to explore the connection of vocal music with memory. Essential elements of this exploration include: the roots or etymologies of words connected with memory and voice, the various dimensions and meanings of memory at the level of thought, feeling, presence, and identity; the inseparably relational dimension of memory; and its flowing not only from the past into the present but also reaching into the future; and the connection of all of these with vocal music. Music may be a link to our human quest to find and express our authentic voice, within a greater relational, communal, and social context.

                            
< style="font-weight: bold;">Photos taken at Newfoundland Great War Memorial, Beaumont Hamel, France, Augus,t 2007
©NK & JR, 2007
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<>"... At the site of the Battle of the Somme in Northern France, a young guide, herself a Newfoundlander, explained how an incredible percentage of the young male population of that island  lost their lives there. As she concluded, she quietly and emotionally sang the strains of  the Ode to Newfoundland, a single voice paying hommage to the great sacrifice of these men. She could find no other way to remember and honour them. ..." (from the paper)

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Photos taken at Canadian War Memorial, Vimy Ridge, France
©NK & JR, 2007

" .... On April 9, 2007, the 90th anniversary of the World War I battle of Vimy Ridge was remembered. During the ceremony, a young violinist stood alone beside the imposing statue of “Mother Canada,”a woman grieving for her lost children. She played a gentle, haunting native melody that moved all who heard it. For a moment at least, this music reached beneath and beyond age, race, gender, and background, and evoked a collective memory and a common feeling of being Canadian. ..." (from the paper)
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 SPIRITUALITY AND VOCAL MUSIC: AN EXPLORATORY PERSPECTIVE 

    ... presented at Festival 500, symposium held at St. John's, Newfoundland, July 2005
©2005

Sunset at Heart's Delight, Newfoundland (© 2005, Dale Ripley)
Abstract
One  of  the developments in the contemporary era is the differentiation of spirituality  from religion.  A person's spirituality may be understood as the  basic  guiding  vision  of one’s life. It comprises the vision, values,  and  support  system to which a person turns to discover or create meaning  in  his  or her life. The quest for meaning designates essentially the quest for identity and worth, for belonging and purpose. A large number of  people today are engaged in a search for meaning that neither organized religion  nor secular culture seem to address satisfactorily.

A part of this quest is to find and express one’s authentic voice, yet to hear that voice within a greater context. An essential dimension of this quest, especially in today’s society, is the experience of beauty. Vocal music is one such expression. This paper is an attempt to relate vocal music (in aspects of both technique and artistry, and impact on performer and hearer), to a contemporary understanding of spirituality, and more specifically a spirituality of voice. Essential elements in this exploration include: the sacredness of the person behind yet contained in the outer expression; the harmony of inner and outer voice;  the canvas of silence upon which all music is written; personal voice within the voice of community and tradition. In essence, vocal music may be experienced as a window to and from the sacred core of life; what T. S. Eliot calls the still point of the turning world.



THE SPIRITUALITY OF THE MUSIC OF THE UNDERGROUND RAILROAD

... Presented  at  The John Brown Seminar sponsored by the Chatham-Kent Black Historical Society, May 2005
©2005
http://www.ckblackhistoricalsociety.org

                              


... CONCLUDING COMMENTS ...

... In sum, the horror of enslavement, which took a terrible toll on so many human beings, drove many of them further and further inward, to a place of depth, a place of wisdom, beauty, and compassion, that no cruelty or hatred could reach. From this place came an authentic voice, a voice of the spirit of this people, of the human spirit, and of the spirit of the universe. This voice found expression in story and song.

And so today,  we celebrate the journey to freedom in mind and heart, in action and life, in story and song.
We celebrate this journey of the human spirit.
This spirit resonates with a depth and clarity
in the folk tales, and in the words and music associated with the underground railroad:
In the words forged in the crucible of suffering,
honed in the struggle for survival and meaning,
and sung from the heart of enduring hope,
is echoed the spirit of the black community,
the spirit of the human community,
and the spirit of the universe itself.
It is heard as the journey of the spirit
that strives to soar beyond all that enslaves and holds captive
into the limitless space of a freedom
whose wings are compassion and justice.

To conclude this day, let us sing together the freedom song, the national anthem, Lift Every Voice and Sing.
This anthem invites us to life all our voices,
and sing with the harmonies of true freedom,
a freedom that blends the memory of past pain,
and of those whose tears have watered the soil of our present efforts,
and challenge us to march into the future with a hope that does not falter.



TENDING THE HEART  ...  TOWARD FORGIVENESS, HEALING, AND WHOLENESS

... presented at Glen Abbey United Church, Oakville, Ontario, April 2005
©2005
 
Some Reflections on Healing and Wholeness

•Basic Perspective: There is a fundamental worth, value, or sacredness and beauty to each human person. The basic challenge of life is to feel, honour, and cherish that worth in ourselves and others, especially in the face of the hurts, wounds, and betrayals of life.

•We discover this worth in music, meditation, and intimate conversation; in solitude, friendship, and the compassionate struggle for social justice. This worth may be felt as a gift that calls for a life-giving rather than death-dealing response.

•We all have experiences of limitations, wounds, and betrayals:
    –limitations of the human condition
    –falling short of expectations and ideals
    –hurt within, wounds at the hands of others or of life
    –a sense of being untrue to our own inmost self, violating others, and contributing to the injustice of society.

•A key to understanding and responding to these limitations, wounds, and betrayals  is to struggle towards a sense of our own worth as deeper than all else.
          
•In the face of our own hurt, a part of the healing process is to acknowledge the reality of this hurt, in the silence of our own heart or in the caring presence of another.

•Forgiveness towards another does not mean a denial of the wrong done, nor does it imply any contact with the violating person. It does mean that we no longer allow that person’s script to rule our lives, nor allow ourselves to be imprisoned by hatred or the need for revenge; but learn to be true to our own inner self, within an interpersonal and social context.
   
•Forgiveness means an affirmation of a worth beyond and deeper than any wrong or betrayal; a sacredness that is deeper than any brokenness.



"Balm in Gilead:" Words and Music of the Black Spirituals

...Presented at the University of Windsor, School of Music, Wednesday Sessions, Winter 2004,
©2004


Behind the Music of the Underground Railroad: Lecture and Concert
... Presented  at  The John Brown Seminar sponsored by the Chatham-Kent Black Historical Society, May 2004
©2004


The Music of Taize: Implications for Music Teachers
... Presented  at  The Ontario Registered Music Teachers Association, Chatham Branch, April 2004
©2004


Spirituality and Human Worth: An Exploratory Perspective
... Presented  at  Gebser Society Annual Meeting, Santa Fe, NM; published in Integral Studies 2003
©2003
Abstract
One of the developments in the contemporary era is the differentiation of spirituality from religion. A person's spirituality may be understood as the basic guiding vision of a person's life. It comprises the vision, values, and support system to which a person turns to discover or create meaning in his or her life. The quest for meaning designates essentially the quest for identity and worth, for belonging and purpose. A large number of people today are engaged in a search for meaning that neither organized religion nor the secularized mythology of economic growth seems to address satisfactorily.

An attendant factor is the search for a grounding of spirituality in some non-religious basis, which may at the same time draw upon insights and images from religious and other sources. One possible foundation may lie in the conviction of the worth, value, or sacredness of the human person, and, indeed, of all life and being. This notion is one that can be shared in theory by people of diverse backgrounds and convictions, including those who adhere to a religious tradition. The United Nations Declaration on Human Rights (1948), as well as the subsequent UN International Convention on the Elimination of All Forms of Racial Discrimination (1969) and UN Convention on the Rights of the Child (1989) all begin with an affirmation of the inherent dignity of all human beings. This Human Rights perspective is developed more philosophically by such authors as Charles Taylor and Michael Ignatieff, is given an explicitly religious foundation in Pacem in Terris by John XXIII, and is also exemplified in the Multiculturalism Act and Policy of Canada.

An example of a spirituality of human worth is found in the postwar writings of Viktor Frankl, who concluded from his concentration camp experience that the dominant human drive is the quest for meaning, which may be discovered even in the face of inescapable suffering. More recently, authors such as Sam Keen and Wayne Muller draw upon a variety of philosophical, psychological, and religious sources in order to fashion a spirituality that gives identity and purpose to human existence. One helpful image to illustrate this theme is that of the garden (echoing the image of Eden), whose fruits and flowers give concrete expression to the necessities and beauty of life, to its survival and meaning, and which offers an imaginative context within which to raise questions of meaning, even in the face of suffering, betrayal, and death.


What is Spirituality click on this link


Other presentations and series include: the spirit and music of Taizé; spirituality and our life story: key stages and experiences of life; towards a relational spirituality; human meaning in folk tales, etc.

These topics have been offered as individual talks, lecture and workshop series, adult education courses, and or university courses.



Other topics and publications list to be added shortly